The Blog

New Chapters

A while since I blogged, but a fair amount has been going in in the background. I’m very surprised and pleased to announce I have received a grant from the Arts Council with which to write my new novel, more about which will no doubt follow over the coming months. 

With the many downsides of Covid, I’m relieved to report that it has proven fertile writing territory, in the absence of anything else to do. Since February, I have completed a memoir about the making of my first feature film, Offending Angels and also a children’s fairy-tale called Amethyst. On top of this, I’ve written two feature scripts. A good daily rhythm of walking, watching a film and then settling down to writing, uninterrupted.

After twelve solid years, I had to wave goodbye to my trusted steed, my 26-yr-old Mercedes 190E. With the incoming ULEZ (Emission Zone) restrictions happening next year, it was no longer a viable option, despite the miles it still had in the engine. 

I hope this missive finds you all well and promise not to leave it so long…

Ken Rea’s New Edition

It’s almost a guaranteed thing, whenever you bump into a fellow Alumni from Guildhall, should you mention tutors of yore, their face always lights up when you say Ken Rea. All of his teachings were infused with warmth. All he kept demanding was warmth, generosity and a sense of play from his students. And over the years, a great many household names have passed through his class. From Ben Chaplin, Daniel Craig, Ewan McGregor, Damian Lewis, Joseph Fiennes, Dominic West, Orlando Bloom, Michelle Dockery and Lily James.

I always felt a little sorry for all the actors who had never had the chance to work with him, inspirational and supportive as he was. There’s certainly a whole generation of actors who remain thankful for his teachings. Well, the good news is, having taught for as long as he has (three decades), he recently wrote and released a book about acting published through Bloomsbury Methuen, it’s called “The Outstanding Actor – Seven Keys To Success”.

It’s an outstanding insight into the workings of an actor. And not just any actor, but good actors, with input from the likes of Dame Judy Dench, Al Pacino and Nicholas Hytner. The seven chapter headings read: Warmth, Generosity, Enthusiasm, Danger, Presence, Grit and Charisma. I mean, forget about acting, who doesn’t want to get a handle on all that!?

However the landscape of acting changes, be it theatre, radio, film or television, the means of telling any given story well remains paramount. It’s the storyteller we invest in, with whom we are asked to relate to. I think it quite telling that whenever anyone talks about the greatest, the most famous lines in movie history, no one remembers the poor writer, only the actor. 

‘We’re gonna need a bigger boat’. ‘Say hello to my little friend’. ‘I’ll be back’.
I’d recommend The Outstanding Actor to anyone really, it’s an incredibly interesting read, whether you have aspirations to act or not, but especially if you are an actor. Ken also periodically runs seminars open to anyone not training under him at The Guildhall. You can find out about these by going to his website